Journal of Nabu

Show's techniques in the Imam Hussein Stage have a new perspective contains developable innovation according to presenting it in a ritual stage show within units, laws and modern technical styles either was inherited, renewed or invented, the director incurs the mission of preparing the text harmonically with Scenography designer in producing a new thing may attract attention of viewer, and because that direction is the vision art that any work has no meaning if it is displayed without making any change in it’s elements.

TV's either text or speech, both of whom are at the same time, all the text of the speech, but not all of the text of the speech until actually acquires socially, and we can prepare television's speech with the exception of TV drama, which we prepare the letter and a speech at the same time, the image of television news and advertising are always being a speech addressing the community directly, and thus contrary to the existing literature embedded in the text books, but when he read what turned into a speech. So wherever you found the television image as will progress meant the television speech, which is not limited to TV drama but went beyond that to "dramatic programs and non-dramatic" (), in addition to the newsletter, advertising, because all of these manifestations of the image of television is in fact a televised address to the fans prompt. As for the pre-television picture recipient with something it does not matter as they have not appeared in public and may not appear, but the picture and beyond is what matters. Vllsourh more than one meaning and interpretation, reading and interpretation, as it can not understand the image as a single expression, meaning and only lost its impact.
Has popularized among professionals in the field of the art of film / cinema term discourse film and this is true for the art of film being single and has one features but difficult to launch it on TV for several reasons in being - no TV - owns more than speech and image and this group different letters aesthetically and drama and media The intellectual and ideological, not only collected the roof of the television picture. Discourse in the TV drama is a dramatic speech esthetic, while the discourse in commercial advertising is a letter utilitarian-profit commercial end goal is to promote and profit, which is on the opposite of the discourse in the talk shows that draw the viewer's ideology and way of thinking in order to pass her, and so dramatic programs and news bulletins and programs sports, singing and documentaries. Thus, the television discourse is a multispecies not own exclusively on the TV drama one speech, and can be a specialist in the media field that takes the importance of the role of the media for the image of television, as can a specialist in the dramatic field that takes the TV drama in all its forms (the Iraqi, Arab and foreign), and so on in the advertising field, and dramas and dramas.
Therefore I believe that the launch of the term dramatic television speech on television image sidled of rightness in the universe of the television picture has more than speech As detailed above, as it applies to the film discourse as the one pictured, Neshat within a limited lifetime. Some also have objected that there was no television in the image of being either text or speech, saying that the television picture is the more correct term that contains includes this big world and superior ability throughout the day in the number of satellite channels multiplied by the number of satellites. Search consists of three chapters, which included the first chapter (of the methodological framework) each Cklath, to be followed by the second chapter of the theoretical framework, which consists of three sections, and finally the third quarter - applications to come up with what looked like the results.

The brand is a communication tool that is very important for delivering the message to different segments of society. Companies use it to distinguish its products. This brand embodies the reputation of the project or the company and its place to establish it in the minds of consumers. It is an eloquent visual language and a challenge to the skills of the designer by showing Shapes and symbols that convey the design vocabulary to a new composition that symbolizes a content far from the origin from which it is created, which gives formative, color or both meanings. Therefore, the current research will contribute to the study of the structure of symbols and their implications in the design of mathematical signs, The problem of research according to the following question: What are the symbols of symbols in the design of sports tags?
The research aims to identify the structure of the symbol and its implications in the design of those signs. The research included five chapters dealing with the first problem of research and its importance and its purpose and limits and the definition of some of its terms. The second one included the theoretical framework, which consists of two sections, the first concerned with the brand and its sections and variations, The symbol and its spelling status also included the symbol and the sign, indicating the difference between them. The difference between the symbol and the sign. The researcher also dealt with the organization of the symbols, both explicit and explicit, as well as the mechanisms of using the code in the design and its implications in the design forms.
The third chapter deals with the research procedures which included the research methodology, which was characterized by analytical descriptive method, and the research society represented by mathematical tags. The sample of the research was chosen in the non-probabilistic random sample method. Five samples were selected from the total research community. According to the current research requirements.
The fourth chapter has been analyzed samples and the fifth chapter included the results of the research and the most important:
1. Symbolic and expressive color indications were achieved in all samples studied.
2. the correlation between the elements is clearly through the relationship of the part to the part, as in the sample (4).
The most important conclusions were:
1. The scientific dimension contributes to enhancing the visual and communicative aspect and its reference to the formal structure and the color opening.
2. The structural simplicity of the composition enhances the expressive and communication power and thus the direct reception.
The most important recommendations were:
1. Emphasizing the symbols' symbols and their use in the design of mathematical marks as they represent the core of the design achievement.
2. Adopting the technique of formal and color reduction in the design of sports brands in order to convey the meaning directly and keep it in the recipient's memory for a longer time.
The most important proposals were:
1. Conducting a specialized study of the symbolic diversity in the design drawings achieved in the design of sports marks.
2. Conducting a specialized study on color symbolism and its role in achieving the attraction in the design of the sports mark.