Journal of Nabu

The present research studing (the mechanisms of presentation in the work of the Nano Hall). understand the concept of presentation in the construction of the ceramic body through its inspirations and aesthetic, artistic and cognitive values. In order to understand the concept of art, we must understand the mechanisms and relationships and organize them between the peculiarity of ceramics and how to integrate with aesthetic and cognitive phenomena, and based on the nature of the subject, the research has been divided into four chapters, the first chapter of which includes the problem of research, its importance and the need for it and the objective of research (know the mechanisms of presentation in ceramic products of Nano Hall), and included the determination of search terms. The second chapter included the theoretical framework and the previous studies. It consisted of two topics, the first of which dealt with the presentation of the exhibition in art, and the second topic dealt with the changes of the ceramic presentation. The third chapter included the research procedures, which included the research community of (15) model samples, of which three samples were extracted in an intentional manner which covered the boundaries of research by adopting the descriptive method and analytical descriptive method for the purpose of analysis. The fourth chapter included the findings and conclusions of the research, which expressed ideas and contents based on the applications of the mechanisms of presentation in the ceramic work. The researchers also tried to mention a number of recommendations and proposals

The research included four chapters. The first chapter deals with the problem of the research, its importance and the need for it, the purpose of the research and its limits, and the definition of the most important terms in it. The problem of research is determined by answering the following question: Does the spiritual aspects have an effective effect in abstract visual discourse? The research aims at: To identify the Spiritual Representations in Abstract Painting. The second chapter deals with the theoretical framework, where two subjects included the first topic (art and his spiritual speech), while the second topic deals with (spiritual in abstract modernity). The third chapter included the research procedures: the research community, the research sample, the research tool, the research methodology, and the analysis of the research sample. The fourth chapter includ the results of the research, the conclusions, the recommendations and the suggestions. One of the most important conclusions reached by the researcher is that (Kandanski's abstract painting) expresses the emotional self that operates according to the technical and stylistic treatment. The lines are flexible and smooth, From the rhythm of the music and its extent, and in its profound impact on the soul without the specificity of the content of what, which sought (Kandinsky) in the form (1-2), the lines closer to the total and spiritual, rather than the sensory partial). The researcher also found a number of conclusions, including: (based on the spiritual representations in abstract painting through the symbolism in the structural elements and according to the technical treatment of the painter, as the symbol suggests the mystical and spiritual connotations of the visual form sensory connected to the real world directly).

This research means to study (the dialectic of water and fire in the Shahnameh miniatures) lies in the four chapter devoted the first chapter to a cler the research problem, and the importance and needs it and the goal of the research and its borders and to identify the most important terms contained therein.
Grabbed problem placed dialectic of water and fire in the miniatures Shahnameh with the artist (Kamaluddin Behzad) through the elements of water presence and fire in religion and philosophy, which was echoed widely in the community movement, his habits culture, it was reflecting for her patterns of manifestations represented in these miniatures,so as to be art and a description of the essence of myth and religion (the activities of the soul) and everything related to the inner spiritual presence ..Find a problem has been identified by answering the following questions .
Stand on the dialectical elements of the universe four especially (water and fire) in an epic Shahnameh, which appeur itself through the problematic joints with many aspects, present themselves forcefully in the form of inter questions require us then and explored and researched, do narrative legendary and epic on the issue of evolution of the universe of the four elements, especially ( water and fire), the witness and absent in the epic Shahnameh as a given religious and objectively decisive impact on the manifestation of water and fire miniatures in charge of the painter (Kamaluddin Behzad)? Or is it that the artist and self-critical role in shaping .These elements represent? Or Through a combination of both sides of the equation objective and self-activate Tosissatha for such a phenomenon? Is it possible to track or the demarcation of the origin of the universe or the theory behind the mechanics of the operation of the controversy that exists between water and fire in the Persian miniatures in general and miniatures painter (Kamaluddin Behzad) in particular .
What is the relationship between the elements of the universe (water and fire) and the drafting of formal artist (Kamaluddin Behzad) .
The first quarter also included, which is the goal of research: Detection of the dialectic between water and fire in the Shahnameh miniatures through technical Alachtgalat in miniatures (Kamaluddin Behzad) .
And ensure separation limits, and terminology with included theoretical framework of the second quarter and previous studies, handled the second chapter three sections: Me first elements of the presence of four of Philosophy (water and fire) and the first two axes in Greek philosophy and the second in Islamic philosophy, as Me First topic in the first two axes interested in (b elements exist in philosophy (water and fire). as the second axis has cared for water and fire in Islamic philosophy.
Me and the second section epic Shahnameh - the study of the historical text of the epic and the third on: aesthetic dimensions in the art of miniature painting and art in general, especially Persian miniatures .
The third chapter singled search procedures: including community search and selection appointed by the (3) miniatures of art, then search tool Analysis of the sample .
And ensure the fourth quarter results, conclusions, recommendations, and suggestions, and the most important findings of the researcher, This is what came to search as well as recommendations and suggestions, sources in Arabic and English-language summary

The current research deals with the production of reducing ceramics using methanol alcohol. The idea of the research is based on the reduction of mineral elements, which is an oxides formula that interferes with the interaction of the glass mixture and its color effect depends on the ion coloring system to give the color of the oxides. In this research, To withdraw oxygen without carbon residues. The high temperature ceramic object with the shock resistors is the crossover and the glass wire because the reduction process is external so the body must withstand the thermal shock. Apply the colored solution on the surface of the clay body and not on the pottery to obtain an active surface can increase the percentage of colored oxide to high ratios without fear of the problem of consistency

The current research examined the trends of postmodernism art, which witnessed a shift in the artistic achievements after the Second World War, and the emergence of artistic streams in line with the scientific revolution, industrial progress and various techniques witnessed by the West in the second half of the century 20 in various fields of life and in art in particular, those technical data need to read the research, which was revealed through the experiences of plastic through the perspective and the relationship between art and forms.
The first chapter included the methodological framework of the research. The second chapter consisted of two subjects: The first topic included the manipulation of forms between technology and art. The second topic included the formations of postmodernism art represented by abstract expressionism, motor sculpture, composition art .
The third chapter consisted of the research procedures included (the research community, the research samples, the research methodology, the sample analysis). The sample of the study was analyzed (3) as a model distributed to the postmodernism art streams.
The fourth chapter contains (research findings, conclusions, recommendations, proposals).
The research ended with a list of sources and a summary of the research in English.