Journal of Nabu

Abstract
This study dealt with the intellectual and aesthetic aspects of the design of the logo, and the role of these two aspects in determining the structural construction of the form and content. The research contained three chapters. The first chapter included the problem of the research, its importance and the need for it. The research problem was determined by answering the following question:
What are the intellectual dimensions that establish an aesthetic product within the spaces of the logos of the faculties of Babylon University?
The first chapter also included the goal of research in :- Recognition of intellectual and aesthetic dimensions in the designs of the emblems of the faculties of the University of Babylon
The limits of research included in the first chapter, was limited to study the dimensions of intellectual aesthetic designs of the emblems of the University of Babylon, and the adoption of the analytical approach within the vision of intellectual and aesthetic aspects of theoretical and procedural
The second chapter included the theoretical framework which included two topics. The first dealt with the intellectual dimensions of the slogans. The second topic dealt with the structural elements, the foundations of the design and the design characteristics of the logos.
The third chapter contains research procedures, which included community, sample, research tool, research methodology, and then analysis of the research sample of (6) slogans as well as the results of the research, recommendations and proposals. The main findings of the research are as follows:
1- Reducing the logo boundaries of time and space through the intellectual and aesthetic dimension, as it is an informational message, as in all samples.
2- The ability of the symbol to connect a specific intellectual dimension, carries a high aesthetic, as in the samples (1, 2).
3- Coherence of intellectual dimensions in the designs of logos, the impact of the unit, as in all samples.
4- Different intellectual dimension of the color used in the design of logos, as in samples (3, 5).
5- The abstract forms by force were dynamic and linear, creating a temporary aesthetic work.
6- The designer adopted the contrast and contrast as a means of organization in showing the aesthetic logo, as in samples (5.2)
7- The possibility of the line element to deliver a message to the recipient, was strongly constructive, aesthetic and intellectual, as in the sample (6, 5, 2).
Conclusion:
Despite the abundance of objectively and aesthetically significant terms, the designer was able to reveal all these substantive words in a pure form, which is in brief a summary of the cultural and intellectual dimensions of the peoples.

Abstract
The research marked (The Aesthetic Foundations of Arte Povera), a number of intellectual and aesthetic foundations of Arte Povera and its impact on contemporary art in Italy. The research is divided as follows: the first chapter included the systematic framework of the research which is research problem identified by answering the following question: How the aesthetic foundations of Arte Povera are manifested? It also includes the aim of the study, represented by: (revealing the aesthetic foundations of Arte Povera). As the limits of the research, it has been limited to the study of the foundations aesthetic in the Art of Arte Povera, through a theoretical study and analyzing a number of poor art works with different materials that have emerged in Italy in between (1966-2014). Chapter Two includes the theoretical framework, which includes the basic conceptions of Arte Povera art and its relationship with a number of contemporary arts. The theoretical framework is concluded with a number of guideline indicators to take advantage of them in the research sample analysis. The Third Chapter includes the research procedures involving the research community, sample, its nature, and then, the analysis of a sample included (5) poor art works. Chapter Four, deals with the search results, and conclusions, as well as the recommendations and proposals. We can say that the research results are summarized as follows:
1. The gathered achievements in Arte Povera are associated with primitive themes and ideas to make use of the poor and ordinary materials.
2. Artists of Arte Povera make use of the organic and natural materials as items which are more realistic and lively to produce their work arts.
3. The simple, natural raw materials of the artists of Arte Povera are associated with the imaginative and contemplative to turn out into a creative and intuitive vision that stems out of the artist thought.
4. The work arts in the Arte Povera are associated with the physical (spatial) aspects.
5. Arte Povera associate the products of a humanitarian ideology deeply rooted in the collective unconscious refers to the ritual and primitive ideas, celebrates the article and the natural instinct of worship and sanctification, and the fear of incognito in the world and the universe and the surrounding material in place.
Among the conclusions:
1- The aggregate works of Arte Povera expressed infrastructure truth and intellectual pattern primitive, by employing a simple artist ores, and poor, and living, vulgar of everyday life.
2- confirmed artists Arte Povera assembly values as a target head as a result of necessary and urgent need becomes of them subject like structure bunk complex and difficult to understand, analyze and aware, connected with the insurgency values, and the absurd, and clastic, and manufacturing, as well as on the rule of fantasy and contemplative side.
3- Natural Arte Povera artist with vitality and energy chose the large impact of the development of ideas and topics that grew from the artist's imaginative and wide capability with direct integration demo for expansion.
Chapter IV also included recommendations, proposals. Find the right resources, and the Annex.

Abstract:
Improvisation in the theater of the oppressed is an essential element in the performance of the actor at the Augusto Boal Theater. Improvisation takes its importance in this approach as an attempt to construct new forms of performance that address societal issues. The actor's imagination is given the possibility of growing his ability to give and take with his colleagues In automatic ways, and also opens the way for the recipient to invent what reflects the human strength in the face of its problems and to find appropriate solutions to solve them .
The research included four chapters. The first chapter dealt with the problem of research, which was the question of: How to employ improvisation technology in the performance of the actor in the theater performances of the oppressed ? It also included the importance of research, which was highlighted by highlighting the mechanism of employing improvisation technology in the performance of the actor in the theater of the oppressed and the extent of its impact on the recipient intellectually, emotionally and participative , and the need to search to benefit from its results for researchers and interested in studying theatrical art in general and representation in particular, : Know the mechanism of employing improvisation technology in the performance of the actor in the theater performances of the oppressed. Chapter I concludes with the definition of terms and their procedural definition.
The second chapter the theoretical framework and previous studies (included the first two studies) the theory of Augusto Boal for the theater of the oppressed), and the second part (improvisation ... concept and types) followed by previous studies, and concluded the chapter of the most important indicators that resulted from the theoretical framework.
The third chapter included the research community and included theatrical performances on the theaters of Mosul for the period 2011-2015. , And the sample of the research included two plays were chosen deliberately, and the researchers took the descriptive approach in the analysis of the sample.
The fourth chapter included the results of the research, including :
1. The technique of improvisation overlapped with the events included in the play "Ya Salam Abu Salam" to transform the proposed theme into an integrated material and intellectual achievement, thus achieving an intellectual flow that established the language of presentation and defined the course of the crisis in the events.
2. The improvisation technique allowed the actor to present (Ahat om Adam) to achieve high techniques in the form of performance and the technical level so that the actor has dynamic rules that reflect his culture and community practices and are highly intertwined with the minute details of his daily life with the details.
The researchers then reached a number of conclusions, including:
1. The technique of improvisation in the research samples was adopted as a whole, in an attempt to explore the effectiveness of the audience versus the actor in the process of producing the dialogue, building the situation and the event, and indicating its potential to achieve active participation with the actor to develop solutions and change the reality.
2. Training on improvisation in research samples The basis of the adaptation of the representative to the role in which a range of performance experiences were intertwined to achieve the optimal solution, which gave them the ability to produce and simulate the behavior more freely.
The researchers reached some recommendations:
1. The need to add a systematic material on the theater of the oppressed in the bachelor stage.
2. Organizing workshops on the method of Augusto Boal in the interactive theater in the faculties of fine arts in Iraq.
They submitted a proposal for the study, namely:
1. A personal study of the Joker in theater performances of the oppressed.
The research concludes with a list of sources and references.

Abstract
This search tackles the study of the evidence of format in Islamic photography.
It lies in four terms.
The first one, the problem of the search and its importance, needs, aim, limits and identify the importanttermscontained in.
The research problem concludes the subject of the study of evidence fame in artistic works which is produced by Islamic photography Schools like Baghdad school, Persian School, and school Ottoman.
Evidence formats is considered an important aim for structural, intellectual, systems which produced different subjects.
The research problem appeared through the following questions.
-How the artist Muslim could achieve practical presence for evidence format in Islamic photographic products.
The second chapter tackles theoretical frame for these two searches
The first one is (analytic for the term evidence format in Islamic art). The second one is (evidence approachin Islamic photography). While the third chapter tackles (Search Procedures).
For the fourth chapter considers the results and conclusions of the search.
Firstly

Abstract
The first study deals with the problem of research, its importance, the need for it, the purpose of research, the limits of research, and the definition of research terms. The problem of research is determined by the following approach: What is the aesthetic data adopted by the Muslim artist In finding an effective relationship between the decorative composition and the written tapes in the holy Abbasid threshold aimed at revealing the aesthetic of the written tapes in the Abbasid holy shrine. The second chapter deals with the theoretical framework. The researcher dealt with three aspects of the theoretical framework: The third topic deals with the decorative formation in Islamic art, and the third topic on the written tapes in Islamic architecture. The third chapter deals with the research procedures of the research society, the research sample and the research tool, and the fourth chapter contains the results of the research, conclusions and recommendations And the most important results (structural elements play an important role in the integration of the post-scene of the written tapes and according to the nature of the organization and aesthetic coordination that governs the structure of linear composition in the area of the written tape).
Among the conclusions are the aesthetic dimensions of the written tapes on the effectiveness of the dimensional organization of the elements involved in the operation, and according to the privacy of the written tape and the nature of communication in the form and significance, and showed the written tapes a kind of compatibility between the image of the formation of the character and the image of the decorative composition based on the aesthetic relationship between them .
As for the recommendations, study the art of calligraphy and Islamic decoration in colleges and institutes of fine arts and how to apply them in practice in Islamic architecture.
One of the most important proposals is the diversity of plant decorative units in Islamic mosques

Abstract:
This study (visual illusion in contemporary ceramics(American Ceramic as a model) is an attempt to study and understand the concept of visual illusion in ceramic structuralism of the ceramic body through its performance and its aesthetic, artistic and applied values as one of the modern techniques that received the attention of the recipient by arousing the aesthetic sensation His promise is part of the creative process. The inspiration works to blow the energies of the creative artist, including the work of the evocations that attract and attract the recipient while watching the artwork reflects the spirit of society and age, which simulates the acceleration of lifestyles around us. In order to understand the concept of visual illusion in art, we need to understand and organize the relationship between the peculiarity of ceramics and the integration with the aesthetic and cognitive phenomena, and in order for porcelain not to be isolated from the rest of the cognitive achievement, it has created the creative space in this field. Based on the nature of the subject, the research is divided into four chapters. The first chapter deals with the problem of the research, its importance and the need for it. The objective of the research is to define the visual illusion in contemporary ceramics (American model). The second chapter deals with the conceptual framework and the previous studies. The first chapter deals with the concept of visual illusion. The second topic deals with the applications of visual illusion in contemporary art (drawing - sculpture). The third section presents the features of visual illusion with contemporary ceramics ), And ended with theoretical framework indicators. The third chapter has contained the research procedures and included the research community and appointed and its tool and methodology, as well as the analysis of the research sample amount of analysis (6) visual artistic models of the products of ceramic art. The fourth chapter included the findings and conclusions of the research which came out with ideas and contents based on the applications of visual illusion on the surface of the ceramic work. The potter sought to access the visual formations of visual illusion by emphasizing abstractions of geometric shapes to give aesthetic properties through the mechanisms of visual illusion. The researcher also tried to mention a number of recommendations and proposals.

Abstract
This research deals with the aesthetics of the Arabic letters in the Paul Klee drawings. The Arabic character formed an artistic phenomenon in which some artists, among them Paul Klee, tried. Through and through different styles and patterns. Therefore, he borrowed (Arabic letter) formically to show his intellectual and aesthetic musculature through his preoccupations in the modern formal texts in general and in the special Paul Klee. Thus, it is considered to be a formality, with aesthetic values that carry a symbolic and symbolic character within its formal expression system.
The research included four chapters:
The first chapter (the methodological framework) (the problem of research, its importance and need, the purpose of the research, its limits, the definition and definition of research terms).
The second chapter (theoretical framework) contains two sections:
The first topic - factors of the emergence of the art of Arabic character
_ The mechanics of forming the Arabic letter
The second subject: - The aesthetics of the Arabic character in the European paintingPaul Klee and the Arab incubator
The third chapter: - The procedures included (the research community and the sample of the research (4) models and method of analysis of the sample research and analysis of sample samples), while the fourth chapter: - the results, conclusions, recommendations and proposals. The research ended with bibliography sources, references and forms. The second study (the aesthetics of Arabic letters in European painting, Paul Klee and the Arabic incubator).
The third chapter (procedures) consisted of (the research community, and the sample 4) models and method of analysis of the sample of the research, and analysis of sample samples).
Chapter 4 contains conclusions, conclusions, recommendations and proposals.
The research ended with sources, references and forms.

Abstract
The theme of the research is: ((the manifestations of religious rituals in the drawings of primitive man)); the nature of the concept of ritual manifestations and the mechanisms of their preoccupation with primitive drawing, It contains four chapters: The first chapter deals with the methodological framework of the research, represented by: the problem of research, which shed light on the ritualistic aspects and their intrinsic relation to primitive human drawings, as well as the objective of the research .The limits of the research were limited to the study of ritual manifestations in primitive human drawings by adopting the analytical descriptive approach in the theoretical thesis in the analysis of the research samples. The second chapter contains two topics. The first topic dealt with the subject of "dualism of art and religion" through the review of the ritual manifestations as a concept in the old thought and in the opinions of some thinkers. (Ritual) found in the drawings left by a man of that era. The third chapter deals with the applications of ritual manifestations in primitive man's drawings through the research procedures that included: the research community and its eye, the research tool, and the analysis of the research sample of (4) models, which are images left on the cave walls. The fourth chapter, on the results of the research and its conclusions, as well as the recommendations and proposals, and concluded by the research and the results of the findings of the researchers, including:
1- The visual texts left the primitive man in the caves were based on the role of the author in the production of rituals and ritual contents.
2- The primitive man in thought that her skill in drawing the animals he feared gave her authority.