Abstract
Al-Maarri and Al-Khwarizmi have many commonalities, perhaps the most important of which is diving into meanings, as they are both fond of meaning and searching for it. This research is nothing but a serious attempt to search for this common denominator in one of the arts of meanings that the two of them are passionate about, which is the art of (illusion) in which Al-Ma’arri excelled and Al-Khwarizmi realized his compatriots.
Illusion is the link and the bridge to understanding much of Al-Ma\\'arri\\'s poetry, which led to the creation of an image of his poetry that he deliberately created, until he had a prominent observation so that it would be a starting point for his mysterious meanings. Indeed, the collection of his ideas and impressions is based on illusion.
Al-Khwarizmi combined his view of Al-Ma\\'arri\\'s poetry with a keen and in-depth critical look through which he explained thepotential of the arts in his poetry, especially illusion. His observations were a mass consistent with Al-Ma\\'arri\\'s poetry, which was
characterized by delving into poetic meanings. All of this is evident in this research, which represents a step towards a conscious interpretation of Al-Ma’arri’s poetry through a conscious interpreter of its meanings. My approach to it was to collect and classify according to the types of illusions and to find out the meanings of the delusional words.
Illusion is the link and the bridge to understanding much of Al-Ma\\'arri\\'s poetry, which led to the creation of an image of his poetry that he deliberately created, until he had a prominent observation so that it would be a starting point for his mysterious meanings. Indeed, the collection of his ideas and impressions is based on illusion.
Al-Khwarizmi combined his view of Al-Ma\\'arri\\'s poetry with a keen and in-depth critical look through which he explained thepotential of the arts in his poetry, especially illusion. His observations were a mass consistent with Al-Ma\\'arri\\'s poetry, which was
characterized by delving into poetic meanings. All of this is evident in this research, which represents a step towards a conscious interpretation of Al-Ma’arri’s poetry through a conscious interpreter of its meanings. My approach to it was to collect and classify according to the types of illusions and to find out the meanings of the delusional words.
Abstract
بين المعري والخوارزمي الكثير من القواسم المشتركة لعل اهمها الغوص إلى المعاني فكلاهما مولع بالمعنى والبحث عنه . وهذا البحث ما هو الا محاولة جادة للبحث عن هذا القاسم المشترك في فن من فنون المعاني التي اولع بها الاثنان هو فن (الايهام ) الذي أبدع فيه المعري وادرك الخوارزمي مواطنه .
فالايهام هو همزة الوصل وجسر العبور إلى فهم الكثير من شعر المعري الذي أدى إلى تكوين صورة لشعره تعمّدها ، حتى كان عنده ملحظ بارز بحيث يكون منطلقا لمعانيه الغامضة ، بل إن مجموعة أفكاره وانطباعاته تقوم على الايهام .
والخوارزمي قرن نظرته إلى شعر المعري بنظرة نقدية فاحصة ومعمّقة أوضح من خلالها مكامن الفنون في شعره لاسيما الايهام ، فجاءت ملاحظاته كتلة منسجمة مع شعر المعري الذي اتسم بالغوص على المعاني الشعرية.
كل ذلك مما يتضح في هذا البحث الذي يمثل خطوة نحو الاستدراك الواعي لشعر المعري من خلال شارح واعٍ لمعانيه فكانت منهجتي فيه الجمع والتبويب حسب أنواع الايهام والوقوف على معاني الالفاظ الموهمة.
فالايهام هو همزة الوصل وجسر العبور إلى فهم الكثير من شعر المعري الذي أدى إلى تكوين صورة لشعره تعمّدها ، حتى كان عنده ملحظ بارز بحيث يكون منطلقا لمعانيه الغامضة ، بل إن مجموعة أفكاره وانطباعاته تقوم على الايهام .
والخوارزمي قرن نظرته إلى شعر المعري بنظرة نقدية فاحصة ومعمّقة أوضح من خلالها مكامن الفنون في شعره لاسيما الايهام ، فجاءت ملاحظاته كتلة منسجمة مع شعر المعري الذي اتسم بالغوص على المعاني الشعرية.
كل ذلك مما يتضح في هذا البحث الذي يمثل خطوة نحو الاستدراك الواعي لشعر المعري من خلال شارح واعٍ لمعانيه فكانت منهجتي فيه الجمع والتبويب حسب أنواع الايهام والوقوف على معاني الالفاظ الموهمة.