Journal of Nabo

Summary
The phenomenon of Iraqi satellite TV channels publishing content and materials based on a culture of insignificance is one of the most serious challenges facing Iraqi society at the present time. Since the beginning of 2003, Iraq has witnessed the competition of major brokers, capital owners and most parties to open many satellite channels The audience was exposed to a flood of media materials presenting intellectual and value patterns whose content is based on a culture of triviality represented by ridicule, ridicule, outrage of modesty, use of inappropriate words, superficial discussions, and others. There is no doubt that researching the concept of the triviality of media content requires studying it from its various aspects. However, our research will be limited to knowing the role played by the Iraqi satellite channels in spreading the culture of insignificance in society, as well as knowing the motives for these channels to deal with such topics. This research also sought to study the relationship between satellite channels and the culture of content trivialization based on relevant media literature such as scientific references and results of previous research and studies, following the survey approach to study the audience, relying on a questionnaire as a research tool, which included a sample of residents of the city of Baghdad who watch Iraqi satellite channels. 200 single, It was found from the results of the research:
-The largest proportion of the research sample agreed that
the content presented by the Iraqi channels bears the nature of triviality is a striking phenomenon.
- A large number of sample members also agreed that what the Iraqi channels are doing is contrary to their real role in raising awareness and educating the community.
- Acceptance of the research hypothesis that says that the Iraqi satellite channels have contributed to spreading the culture of insignificance in society. - Acceptance of the second hypothesis that says: There is a correlation between the type of programs offered by satellite channels and the percentage of audience affected by them.

Abstract:
The theatrical chapters dealt with issues of war, violence and peace and their relationship with the society in which war disasters occur. The extent of the negative effects of those wars on the joints of society. Through the phenomenon of the prisoner's personality and his relations with his family, and the accompanying conflicts and contradictions.
This research is a serious and purposeful study that wars have great effects on the Iraqi theater writers and that most of the titles revolve around the theme of wars and moral deviations and the extent of their jurisprudential, intellectual, social and political effects and the influence of theatrical texts on the artistic phenomena that created a path for Iraqi theatrical texts, as their source is the new virtual reality as a product of wars.
The research contributed that the theater should be a defensive means that rejects all manifestations of violence, including killing, destruction and displacement, with all that transformed it from the remnants of wars far from the human right to a decent life, and the serious human quest for freedom and the dominance of internal and external control, and the rejection of dictatorships, for example.
While the importance of the research was manifested in identifying the duality of war and peace in the Iraqi theatrical text and that the temporal limits of our research from (1995) in Iraq and the play of Garbage by the author Ali Al-Zaidi as a model.
The research included three chapters, where the first chapter included the research problem, its importance and the goal of the research in addition to the limits of the research and the definition of terms. As for the second chapter only, it included two topics, where the first topic was the eras of war and peace in the theater globally, while the second topic was about the war and its effects on the Iraqi theater.

Abstract
The research included four chapters, the first chapter of it concerned with the research problem and was represented by the following question (what is the exclusivity and what it represents in the drawings of adolescent girls), its importance, and the need for it, and the chapter also included the aim of the research by (discovering the exclusivity and its representations in the drawings of adolescent girls), and the limits of the research were limited to A study of representations of exclusivity in the fees of adolescent girls from the fourth preparatory students (females) at the age of 16 years for the academic year (2021-2022). And in secondary or preparatory schools for girls (teenage girls) in the center of the Babylon Governorate, the city of Hilla. The researcher concluded the first chapter by defining the terms mentioned in the research title.
As for the second chapter, it included the theoretical framework, and it consisted of two topics, the first of which dealt with: conceptual exclusivity (exclusivity in Islam) and (theories that explain exclusivity), and in the second chapter, adolescence and teenage girls’ fees.
As for the third chapter: it included a description of the research procedures, which includes the research community of (23) middle and secondary schools and its sample from (5) schools with an average of (462) female students who were chosen in a proportional manner according to the number of each school, as well as the descriptive research method in the style of content analysis and research tools. Exclusive Behavior Scale, graphic content analysis tool) and its statistical and mathematical tools. As for the fourth chapter, it included the research results, conclusions, recommendations and suggestions, including:
1- The emergence of statistically significant differences for exclusive teenage drawings at the level (0.05) in the properties of the line, shape, color, and the foundations of composition such as sovereignty, balance, proportionality, repetition....
As for the conclusions, the two researchers concluded that there are distinct representations of exclusivity that appeared in the characteristics of teenage drawings, including:
1. The type of line (broken, assorted).
2. The nature of the shapes (diverse).
3. Organizing shapes (diffuse).
4. Character Drawing Mode (Background, Various)
5. In addition to the recommendations and suggestions

Abstract
The novelist gender remains that type that is difficult to withdraw under a specific label. The novel is a different and varied literary genre according to the angle viewed by the reader as a recipient and the novelist as a producer of the text. The legendary literary, which represents a large and important part of the literary heritage, that the employment of the legend in the text is the product of a cultural and artistic vision based on other historical and mythological cultural references, that is, it is not an individual vision, it is in the end an aesthetic awareness that is formed aesthetically and intellectually to take from multiple references sources and dimensions. The myth, in its clash with the novel, is not formed based on its ability to paradoxical reality, but rather adopts the narrative construction through the legendary formulation or the legendary formation of reality according to its own laws. According to a constructivist architecture adopted by the Iraqi novelist to make of her legendary characters a gateway to lost eternity in a homeland that has been seized by the scourge of war and destruction.
The study came in the introduction to dealing with the summary of the novel and the narrative construction of events formed, reinforced by the emergence of the Iraqi space with its cultural and social concepts. The research methodology has reinforced two paragraphs, the first looking at the mythical pattern in the fictional formation and the second the fictional character between myth and reality, and then a conclusion that ended with the most important results of the research and an index of the contents of the research, its sources and references.

Abstract
This research is concerned with studying (the artistic values of the collage in the designs of the commercial advertisement). The research was divided into four chapters. The first chapter was devoted to clarifying the problem of the research, its importance, the need for it, its goal, its limits, and the identification of the terms contained therein. Is the role played by the various techniques in showing the aesthetic design of the Iraqi Shanasheel. And what distinguished the artistic values of the collage in the designs of the commercial advertisement?
The second chapter included two topics about me, the first (advertising design) and the second about me (the impact of the artistic values of collage on commercial advertising designs.
First, the results:
1- The graffiti artist has deliberately embezzled his materials and raw materials, such as the colors that he obtains illegally and surfaces that belong to the public domain.
2- The formations of assembly carving depend on the synthesis between different mediums. They may be soft and flexible things called (soft sculpture) such as felt, fabrics and ropes, or solid things such as wood, glass, plastic, cement, graphite, rubber, coal and other materials developed for the art of sculpture, which indicated the shift towards everything that is temporary, transitory and ephemeral and allowed Execution quickly.
Second: Conclusions:
1- The intellectual transformations of the post-modern era and towards the trend of deconstruction, which called for the negation of all semantic and reference centers and foci of meanings, caused a transformation in the nature of artistic production, so the formal possibilities were endless, and the artist works without rules to formulate his own rules, just as no aesthetic theory can apply to it.
2- Contrast was one of the characteristics of postmodern art. Artists did not previously try to expose to many diverse ideas or use different and varied methods, techniques, materials and materials such as the art of contemporary art, and this reflects the complexity of our current time and the extent of the lost and lost confidence felt by the postmodern artist.

Abstract
Recently, people listen around the clock to many negative news and events through various means of communication and media channels, which has made scenes of murder, assassination, robbery, looting and fatal accidents a regular thing and a news meal that feeds our ears and eyes daily, as if life wore a black dress and fought for a long time, The dress of joy and contentment with life, The low satisfaction with life undoubtedly results from stressful events and situations that the individual is exposed to, affecting the cognitive and psychological structures and in the context of their relations with the social environment in which he lives and may lead to instability and disruption of the daily life of society in general and university students in particular as well. On the other hand, it leads to a series of intrusive thoughts to them as a deviant and undesirable behavioral response, and dealing with reality with satisfaction and conviction makes the individual happier, Just as the university stage constitutes a turning point in the individual’s path and his launch towards his future to achieve his desired goals and ambitions, as focusing on the variables affecting their lives has become a necessity. As a result of their enjoyment of mental flexibility that makes their relationships and behaviors acceptable and organized to reach satisfaction with themselves and their lives through their knowledge of ways to regulate their emotions to achieve goals in life Satisfaction with life is the utmost aspiration of a rational, adult human being, and a basic factor in the individual’s psychological compatibility and adaptation to stressful life events and situations in order to avoid frustrations and psychological conflicts. On students' compatibility, psychological health, and life satisfaction.

Abstract
The arts are one of the most important means in this, and as these arts carry symbols and signs that refer to religious and aesthetic beliefs and concepts. The aesthetic of Sumerian art is reflected through religious practices and rites. Alsumeria as a result of that thought and that Al sumeria life philosophy embodied in the form of beautiful symbolic images, where the creativity and renewal, so it is similar to many philosophies of the modern era, especially the philosophy of Susan Langer, the current research problem reflected the answer to the question of the following
: What is the aesthetic of the Avatar in the Sumerian Art according to Susan Langer's philosophy?
The objective of the research: Reveal the aesthetics of the Avatar in Sumerian art according to the views of Susan Langrvi Sumerian artworks for the period (3200 years BC) to the Akkadian Covenant (2370 BC)
The second chapter included two articles: Sumerian art, and the symbol in Susan Langer's philosophy.
The third chapter included: The research community: The researcher divided the society into categories (3) according to the type of category. The research sample was (3) selected according to the conditions and controls. (Cooper's equation) and (Scott) to the truthfulness and stability of the tool.
The fourth chapter includes the results, conclusions, recommendations and proposals. The results of the research included:
- The religious belief as a symbolic image of aesthetic and effective in satisfying the needs of human as in the philosophy of Susan Langer in the country of Sumer expressed by statues worship and in the cylinder seals Sumerian and a threat to the cosmic notification through ritual practices and rituals were the symbolic images of the human body once compound and animal body compound and symbols (1) in the shape of the spike that accompanies the bull.
Keywords / Artist, Form, Symbol, Inductive and Representative.

Research Summary :

The research deals with the topic (the aesthetics of music and the mechanism of its use in children's theater performances) in terms of the importance that the musical and lyrical melodies broadcast in the children's theater performances, as it constitutes an important element of its aesthetic elements as it adds a charming plastic dimension through its harmony with the rest of the elements of the presentation in an integrated scenographic form
The research included four chapters:
The first chapter dealt with (the research problem), which is summarized in the following question (what are the aesthetics of music and the mechanism of its employment in children's theater performances)?
The chapter also included the importance of research and the need for it, as it sheds light on the aesthetics of music and reveals the mechanisms of its operation in children’s theater performances. Singing and the mechanisms of its work in children's theater performances.
The chapter (the limits of the research), which was determined chronologically in the year (2018)  Gregorian and spatial (Iraq) and objectively included the study of children’s theater performances that employed music and singing and adopted them in their performances as an important element of theatrical performance, and the chapter concluded with (identifying and defining search terms).
As for the second chapter, it contained (the theoretical framework and previous studies and their discussion) and it included two sections, the first section dealt with (the aesthetics of music and singing in the children’s theater), while the second topic dealt with (the mechanism of employing music and singing in the children’s theater), and the chapter concluded by revealing the previous studies and The most important indicators that resulted from the theoretical framework.
The third chapter was concerned with (research procedures), where the researcher intentionally chose a model of the children’s theater performances and analyzed it due to the abundance of the musical and lyrical forms of this show that added an aesthetic dimension to the show. Analytical) for its relevance to the research, and the chapter concluded with an analysis of the research sample models.
The fourth chapter included the results, conclusions, recommendations, and suggestions.

Abstract:
This critical examination worked on a renaissance narrative technology, upon which the narrative is based, and promotes its data, its diversity, and its formal and qualitative pluralities, trying to monitor its effectiveness in the literary text, and follow up its creation and stages of its perception in the body of the text, and the semantic and moral aesthetics it brings, which enables the literary text to reach His far-reaching goals are to achieve the legitimacy of his creativity of excellence, richness and diversity.
Perhaps, we do not exaggerate if we say, that inclusion is one of the narrative elements that narration, ancient and modern, cannot cancel its existence, or dispense with it, in any case.It is an inevitable condition, an aesthetic and a tasteful goal, as well as a formal function that it occupies in the fabrication of temporal cracking and the destruction of its monotony, and the fabrication of a beautiful gesture within the orbits of textual art.
This review came to define its idiomatic metaphor, to know its creative formations, its narrative variations, and what it brings to the text of aesthetic contents and creative references.
Through its multiple functions and aesthetic creations, revealed by a heritage text full of technical and semantic data, it defines for us the most prominent role that embedding technology plays in drawing the features of tales, controlling their artistic rhythm, and the diversity of their creative data in the tales of One Thousand and One Nights.

Abstract
The current research dealt with (the philosophy of difference in postmodern arts) and studied the nature of difference as an active knowledge in philosophical and aesthetic thought, as the concept of difference constitutes a different and new formal vision in postmodern arts and this is what contributes to the process of creating artistic creativity, whether in understanding, formulation or The content, with the increase of the objective view of the world around them, which contains aesthetic and artistic suggestions characterized by the high freedom of authorship, as it constitutes a transformation in the systems of philosophical, formal and technical concepts that were relied upon in the emergence and development of postmodern art streams.
The research contained four chapters, as the first chapter dealt with the methodological framework of the research, so the research problem was identified by the following question: Has philosophy influenced postmodern arts?
The first chapter also included the objective of the research in identifying the philosophy of difference in postmodern arts .
As for the limits of the research, it was limited to studying the difference in postmodern arts, and analyzing models of artistic paintings for the period (1975-1994) by adopting the analytical method within a philosophical, cognitive and aesthetic vision.
As for the second chapter, it included the theoretical framework, which contained two sections, as the first topic dealt with the concept of difference in art, and the second topic dealt with homogeneity and difference in postmodern currents.
The third chapter contained the research procedures that included the research method, as the researcher adopted the descriptive method by way of content analysis and in line with the goal of the research, the research sample, and then the analysis of the samples, which amounted to (4) samples.
As for the fourth chapter, it included the results and conclusions of the research, as well as recommendations and suggestions. The most prominent findings of the research are:
1- All the mechanisms of postmodern art were based on difference by changing the essence of vulgar and consumed things.
2- All the concepts of difference that occurred in postmodern currents came in harmony and in harmony with the philosophy of societies that were characterized by randomness, absurdity, anarchy and transformations in all fields of life.
3- He considered the post-modern era to be the era of radical difference in everything, especially in the customs and traditions of European societies.
Keywords: (The difference in postmodern art)

Research Summary
The theory of literature and the concept of (naturalization) came to reform some critical theories and philosophical contexts that dealt with the literary discourse as a set of events, testimonies and documents that depict a historical stage, and as a reaction to the systematic rigidity and radical criticism. On the concept of the text as a basic literary category, as modernist studies no longer search for the meaning and define it and then return it to the intentionality adopted by the writer, but rather dealt with the entity of the text from where it exists. Differentiation between races is an imperative and inevitable matter. Rather, it has become a law that cannot be violated, and accordingly, the harmony began little by little between literary races, not on the basis of their closure, but according to their harmony with each other and according to the foregoing, the current research came in four chapters, the first chapter spoke (Box Methodology) about the research problem, which came according to the following question (how was naturalization able to create an artistic and aesthetic image of a functional nature within the folds of the theatrical text), then the importance of the research and the need for it, and then the goal of the research is (to identify the pictorial function through the mechanisms of naturalization and its works within the folds of the text theatrical) as well as the limits of the research and concluded the chapter by defining the terms, while the second chapter (the theoretical framework) contained two sections. The first topic came under the title (naturalization and the figurative function between concept and significance), while the second topic was entitled (Identity of literary genres in theatrical textual achievement) and the chapter concluded with the indicators that resulted from the theoretical framework. As for the third chapter (research procedures) it contained the research community The research sample, the research tool, the research method, and the chapter concluded with a paragraph of sample analysis. As for the fourth chapter, it included the results, the most important of which are (the theatrical text is more lively and a space ready for naturalization to facilitate the meeting of literary genres in it) and conclusions, the most important of which is (the meeting of genres in the theatrical text gives it a generative ability for reading and interpretation) and suggestions To conclude the search with a list of sources and margins.
Keywords: text, naturalization, job, photography

Research Summary:
The current research (The Spatio-temporal Structure of Assyrian Sculpture) dealt with a study that focused on the great role of the temporal structure in the Assyrian Sculpture. Theoretical framework and previous studies, and included two sections, the first topic dealt with two axes, the first topic was the study of the concept of the structure of time, while the second topic was the study of the concept of the structure of space, As for the second topic, it included a study of the structure, origins and development of Assyrian art. The second chapter ended with the indicators that resulted from the theoretical framework, while the third chapter included the research procedures and included the research community and its sample, the research method, the research tool and the analysis of samples, and the fourth chapter contained the most prominent results of the research.
1- The relationship between the event and the characters has a significant impact on the continuous space-time through the moment, its permanence and movement in the artwork, as in the sample models (1, 2, 3, 4).
2- The movement and its rapid succession from the formal effects of the sculpture, contribute to the realization of temporality in the Assyrian sculpture, as in the samples (1, 2, 3, 4).
The researcher reached conclusions
1. The environment surrounding the ancient Iraqi individual, with its concepts of strength, fertility and continuity, is linked with the concept of space-time and the mechanism of its intellectual, cultural and artistic treatments.
2. The ability of the Assyrian artist in narrating the story through legend or through different artistic productions, and one of the narration mechanisms is the spatio-temporal vision of events within the narrative and narrative system.
It also included recommendations, suggestions, a list of sources and an English summary.

Keywords: structure, space-time, Assyrian sculpture

Abstract:
Expression in plastic arts in general and painting in particular is related to aesthetic and artistic concepts through the significance of expression, whether about form or meaning beyond that form, and that the link between form, meaning and the significance of expression was throughout a long history of art in general. The research included four chapters. The first chapter contained the research problem that was determined by the following question Are there expressive connotations of the meaning witnessed by modern painting? The importance of the research included the following: - This research is an attempt to trace the implications of expression in modern painting in its different schools and currents through academic scientific research in this field. An attempt to investigate the aesthetic and expressive semantic systems of meaning from an artistic and critical perspective. As for the aim of the research, the current research aims at the following: - Know the expressive connotations of meaning in modern painting. And the temporal and spatial boundaries: 1900-1945 AD, Europe. As for the fourth chapter, it included the results of the research, including: 1- The expressive significance of the meaning was related to the construction of the forms executed on the surface of the painting according to the semantic content to express the content and form. 2- The expressive significance was clarified through the aesthetic act of the artwork that reflected reality in an expressive way at the level of form and reflected the meaning at the level of content. Among the conclusions: 1- Modernity drawings were generally characterized by the expressive aspect of meanings through forms, in addition to the mental interference of the recipient in the perception and interpretation of meaning. 2- The semantic and expressive aspect was directly reflected in the support of form and content through the artist's performance despite the different artistic trends among them. Among the recommendations:- The researcher suggests the following study procedures: The implications of aesthetic expression in contemporary Iraqi painting.
Keywords: (expressionism, modern European painting, modernity)

Research Summary:
This research is concerned with studying the formulations of shape in contemporary Iraqi painting through the artist Rakan Dabdoub, as the shape is one of the most important elements of painting and it is the system that forms the image and it consists of a set of formulas that deal with lines, blocks and colors and constitute an aesthetic element through the art of painting. As this research consists of four chapters, the first chapter is represented by the methodological framework, which we tackled in the research problem by asking a question: What are the forms of shape in contemporary Iraqi painting through the works of the artist Rakan Dabdoub? The importance of the research is that it sheds light on these formal formulations. The second chapter, represented by the theoretical framework, came in two sections. The first dealt with the concept of shape and technical formulations of the form, and the second dealt with contemporary Iraqi painting and the artistic experience of Rakan Dabdoub, with access to indicators for the theoretical framework. The third chapter, represented by the research procedures, included the research community, research samples and its tools, and we followed the descriptive approach analysis in analyzing five intentionally selected models from Rakan Dabdoub’s work. In contemporary Iraqi painting, Rakan Dabdoub is a model.
key words:
Shape formulations - contemporary.

Abstract
The aim of the research is to shed light on the language of the theatrical text and its role in creating the visual image: the two images of Trauma and astonishment as a model, and by applying it to selected texts from the contemporary Arab child theater. The research sample consisted of four theatrical texts, and the research concluded with a number of conclusions, the most important of which are: that the language in the studied theatrical texts was characterized by a very tight expressive intensity, which earned it the ability to depict the Trauma and astonishment cases accurately and clearly, both in terms of the choice of words or through stylistic tools, such as interrogative, repetition, similes and metaphors; And that the use of body language in depicting the states of Trauma and astonishment appeared in the studied texts in both the guiding text and the theatrical text. The language of the theatrical text in creating visual images of states of Trauma and amazement, and in conveying feelings and emotions and mental and psychological transformations that occur on the characters of the theatrical text to the recipient, which confirms that employing the elements of Trauma and surprise in the theatrical text requires a figurative language with a high ability to activate and empower the imagination of the recipient From experiencing situations and merging with them.
key words: Visual Image, Traumatisme, Astonishment, Children's Theater

Research Summary

Many scientific studies in the field of performing arts have tried to find approaches between this art, science and other philosophies in order to reach new forms and contents that correspond to the renewed data in all walks of life, so they became between theatrical art, philosophy, aesthetics, linguistics, physics ... However, the process of analyzing performances in terms of performance and techniques remained subject to the vision, mood, culture and experiences of artists and researchers, so this research was an attempt to find a new method to analyze the performance of the theater actor according to the morphological approach of the Russian (Vladimir Propp) that he developed to analyze the strange and fairy tales, which the researcher sees as the possibility of benefiting from it in analyzing the performance of the actor, so the problem was the following question (Can the morphological approach of Propp be adopted in the analysis of the performance of the theater actor)
The study came in four chapters, the first chapter contained the problem and the goal that was determined in the possibility of benefiting from this approach in the analysis of theatrical performance, and also proved the importance of research and its limits and definition of the terms contained in the title, namely morphology and hypotheses of the show.
The second chapter (theoretical framework) was based on two sections, the first entitled Morphology - the science of the study of forms, and

was dealt with on two sections, the first - morphology, roots and concepts, and the second the foundations of morphological analysis at (Vladimir Propp). The second section dealt with the hypotheses of presentation and their relationship to performance and the chapter ended with the installation of the most important indicators resulting from the theoretical framework
In the third chapter, the researcher chose two scenes from the two plays (Al-Mutanabbi - Ibrahim Jalal), which were built according to the theory of the epic theater (Lebrecht) and the other play (The Cobbler - by Aqeel Mahdi), which was built according to the mang or method (Stanislavsky) and analyzed according to the vision of the researcher and his approaches to the morphological method.
In the fourth chapter, the researcher discussed the most important results and their compatibility with the indicators, and concluded the research with a list of sources and references and a summary of the research in English.

Keywords: Morphology – Acting performance –Hypotheses of Theatrical performance

Research Summary
The current research dealt with the study of the relationship between social responsibility and the foundations of sustainable development from the Islamic perspectiveIn addition to identifying the levels and pillars of social responsibility, and then searching for the relationship between the dimensions of responsibility (social, economic and environmental) in Islam and the same dimensions adopted by the sustainable development policy.. There is no doubt that there is a dialectical problem between Islam and development raised by many social scientists and administration that was discussed in this research, and then the researcher presented evidence of sustainable development in Islamic jurisprudence through the Qur’anic text and the honorable prophetic hadiths, then the study identified a set of conclusions and suggestions that support the role of responsibility Social attitudes to development in the Islamic world. .

Research Summary
The computer plays an important and effective role in the field of decorative design through the use of modern graphic programs, and perhaps the interest in the design process by means of the computer increases the capabilities of the graphic designer because it will work to think in a new and fast way through analyzing and tracking ideas as we find that he is in the process of feeding the machine with this unit And when that device is programmed, it performs the operations requested from it with a fixed logic.
One of these tools is the computer, which can be used to enrich the decorative painting through various graphic programs. The computer also helps to think in a new way through the tools provided by these programs and helps to achieve various decorative panels quickly and accurately.
The research includes four chapters, the first chapter deals with the methodological framework of the research and its discussion of the research problem, while the second chapter may deal with three topics, the first section includes the decorative design and concept, the second study deals with the components of graphic design, and the third section deals with the use of graphic programs for decorative designs. As for the third chapter, it dealt with the research procedures, and the fourth chapter of the research dealt with the results, conclusions, recommendations, proposals and sources.

Abstract
The space of alchemy is one of the spaces that are interested in studying all the scientific and human phenomena that fall in front of the eye. However, semiotics is not satisfied with that, so it is studied as well unless the naked eye sees it, so it goes towards the sense that deals with the invisible and this study is of this kind, so the study came in four chapters.
The first: a chapter on methodologies / or methodology, which includes the research problem, the importance of research, the need for it, the goal of research, and the limits of the research. The second chapter, which consists of two topics, are:
The first topic: the concept of semiotics and its cognitive formations
The second topic: The Invisible: Presence and Effectiveness in Theatrical Text Formations.
And the indicators that resulted from the theoretical framework
And the third chapter, which is the research community, the research sample that was intentionally chosen, the research methodology, and the research tool, then the fourth chapter (separation of results) and conclusions, then the sources and annexes.
Key words: (semiotics, presence, invisible, denotation)

Abstract:
The digital technologies represented by the elements of multimedia have brought about a new shift in the concept of theater, as it provided a new visionary culture containing scientific ideas and innovations, which opened the door to filming in the scenography of the show accompanying the work of the director / designer and the interpretation of his artistic vision in directing with modern laws and methods, whether inherited or innovative, so the director/designer has a great task in finding modern ways to use multimedia technology. He has the ability to manipulate the elements of multimedia in a way that suits his intellectual and scientific visions so that the theatrical performance acquires a new value based on his accumulated scientific experience. The theatrical performance is based on technical foundations, including hard and soft ones, which are translated by the director professionally in order to achieve the aesthetic and creative vision, which gives the recipient a space of integration and tension in the presented presentation, whether in the theater or cinema, and accordingly the current research dealt with four chapters, the first chapter included the research problem focused on the following question:
Identify the elements of multimedia and their representations in the Iraqi theatrical performance?
While the importance of the current research was manifested in the study of one of the topics that reveal the technical treatments provided by multimedia in the theatrical performance. As for the research limits, the temporal limit was determined to the year 2018, and the spatial limit in Iraq came in the National Theatre, while the objective limit is a study of multimedia and its treatment the technique in theatrical performance and the introduction in the theater of the box. As for the second chapter, it included two topics. The first topic came in the study of the concept of multimedia, beginning with its roots in the theater throughout history, and the changes and developments it brought about that affected the theater. The second topic was about studying the concept of multimedia and its scenographic developments among contemporary directors. Then the chapter concluded with the indicators that resulted from the theoretical framework. As for the third chapter, it included the procedures of the research, where the researcher glorified the presentation of the play (The Sindbad Journey) directed by (Ahmed Muhammad Abdul-Amir), as an analytical sample for the research, adopting the descriptive approach in analyzing his sample. In the fourth chapter, the researcher came out with a set of results and conclusions, as well as sources and references. In the fourth chapter, the research ended with the results of the sample analysis, the most prominent of which were:
1- Multimedia performs its dual function in the vision, embodying the form and moving it with its elements to reach what is aesthetic.
2-The multimedia-based director is the producer of a space theatrical image that fills the screen space.
3-The director benefited from his intellectual references stemming from the depth of his intellectual and aesthetic work to employ the elements of multimedia in order to present a new technology at the level of audiovisual discourse.
The chapter also included a number of conclusions, the most prominent of which were:
1- The importance of multimedia lies in the single theatrical performance, as it is a collection of the elements of the written text with the audio, and the static and moving images in one basket to produce a semantic image.
2- The multimedia in the theatrical performance came as a symphonic vision to furnish the theatrical performance space for a group of elements of the visual installation.
3- The importance of multimedia in theatrical performance lies in its ability to create a show capable of evoking the visual and sensory perceptions of the recipient.
The researcher recommended some recommendations and suggestions in order to serve the scientific research, followed by a list of sources and references.
Keywords : (multimedia, representations, theatrical performance)

Abstract
This study is tackles the Technical Diversity in Postmodernist Plastic Arts. The aim of diversity is to create different ways to achieve artistic works and diversify structural and intellectual topics. It is of importance to innovate diversified technologies that establish the basis for an artist to diversify his/her intellectual, procedural and construction directions. Technologies have been diversified in the postmodernist period with the diversity of styles and the raw material used, as well as the mechanisms of their use and development, depending on the pace of technological development. The problem of the study can be defined in providing answers to the following questions: Does the technical diversity provide the methodologies and meanings required to give each a plastic art special features in postmodernism? What are the technical, scientific and industrial transformations in the products of the postmodern artist?
The first chapter includes the methodological framework. It comprises the aim of the study: define the technical diversity in postmodernist plastic arts; the limits of the study: Europe and the United States, for the period 1950-2017; and the main terminologies. The second chapter provides the theoretical framework of the study. It contains two topics; the first is the concept and applications of art technologies; and the second topic reviews the postmodernist artistic technologies. The third chapter tackles the study procedures. Intentional sampling is used and five samples are selected. The descriptive methodology and content analysis are used to analyze the samples.
The fourth chapter includes the results and conclusions of the study, as well as recommendations and suggestions. The main results reached are:
1. Diversity in using technologies aims to achieve artistic and fine taste values in postmodernist works. The artistic tools of an artist has become his/her varied and changing technologies, such as distillation and printing screen silk, and sprinkling, which are considered easier in used than the brush. Other tools are using caricatures, using letters and open walls. All these technologies and methods reflect the humor and cynicism used by the postmodern artist in their artistic works.
2. Technical diversity in postmodernist arts has a great effect on achieving artistic and fine taste values through the use of unfamiliar topics and exaggerated plastic representation, open spaces and different colors, including the shoe colors technologies, which has diversity and value enrichment. This is a new technology and artists have started to use the stencil, which uses inscriptions and punched writings on metal plates, as well as the technologies of videos and computers to produce irrational art works.
Key words: Diversity, Technologies, Plastic Arts, Postmodernism

Research summary
Research summary The importance of the current research comes from the importance of artistic activities, including workshops, and their role in developing children's plastic skills, and developing the child's cognitive, mental, and emotional aspects, through freedom of choice, movement, effective communication, and free expression. In the development of children's skills?) The aim of the research was: to reveal the role of workshops and fine art activities in developing children's skills, for a group of kindergarten students (Paradise of Children) for the year 2022-2023 in the center of Babil Governorate, and the researcher followed the descriptive approach in the content analysis method, and he used The observation card on a sample of 15 kindergarten children aged 5-6 years, and the results of the research came out: The workshop achieved its educational role in developing the child's cognitive and skill abilities through the children's implementation of the drawing project for the subject of free drawing, which is related to the concepts presented to them The researcher in terms of lines, colors, spaces, shapes, and others

Abstract
This research sheds light on the illegal termination of the employment contract, so justice must be achieved and the contractual balance must be established between the two parties to the work contract and the achievement of common interests between them. The stronger party, so the law worked to give the worker the right to file a lawsuit to claim his rights as a result of unfair dismissal from work.
Especially in exceptional circumstances such as wars and epidemics (Corona is a model), as it worked to paralyze the movement of the labor market and companies and lay off many workers, whether by friendly or arbitrary methods, as legal compensation must be given to the affected worker.
The importance of this research is evident in the decisions of the employer and their compatibility with the rules and provisions of the Labor Law and the non-arbitrary use of his authority towards the worker and harm him unjustly, as the Labor Law works to protect the weak party in the contractual relationship, which is the worker.
We also find that the judiciary and the law dealt with the issue of arbitrary expulsion to terminate the contract on the part of the employer without the worker, which is the subject of discussion here as a result of emergency circumstances that require compensation for any damage to the right of the worker, and there are also cases of termination on the part of the worker.
Keywords: dismissal - abuse - worker - employer. Corona pandemic

The research aimed to identify the degree of employment of classroom activities and their obstacles to science teachers for the primary stage in the governorates of Babil and Karbala.
In order to verify the two objectives of the research, (6) questions were formulated, and to answer these questions, the descriptive approach was followed because it achieves the two objectives of the research, as two scales prepared according to the five-point Likeard scale were directed, one of which consisted of (12) items and the other of (15) items on a sample of teachers The science subject in the center of the provinces of Babil and Karbala and on a sample of the principals of primary government schools in the center of the provinces of Babil and Karbala - it was chosen randomly - and according to the percentage. It reached (291) male and female teachers and (189) school administration.
The research reached a set of results, according to which a set of recommendations and proposals were formulated
Key Words: Degree- Employability -Classroom Activities - Science Teachers- Primary Stage

Research Summary:
Punctuation marks are one of the most important controls in writing, their task is to make the sound special tones, and prestigious symbols in writing, which facilitates the understanding and perception of the recipient. Determining the locations of the chapter, the connection, the endowment, and the beginning, where the researcher conducted an achievement test consisting of three questions. And the third question: is to distinguish between the question mark, the exclamation point, the semicolon, and the dash, and the researcher concluded that there is a noticeable weakness among third-grade students in the use of punctuation marks. Where most of the students put the semicolon, the wonder, and the question mark, as the study showed that there was not a single student who did not make a mistake in the phonetic expression of the meanings of the punctuation marks, or his inability to use the correct use of the punctuation marks in writing.
key words: middle school students, punctuation marks, Writing

Abstract :
When looking at the great technological revolution that has exploded in our time and the new technologies it has produced, we see that there is a cognitive marriage that has occurred between various sciences, such as what happened between medicine and music in the treatment of some cases of depression, and what also happened between computers and medicine in performing surgeries, and so the various industrial and commercial sciences today do not work except with the presence of this advanced medium called technology. WassaPurely major companies compete with each other to develop, modernize and employ the means and software in which they operate, taking advantage of this technology and its developments by employing it in various aspects of science and knowledge The theater is the cosmic world that does not divide and does not move away from this reality, it is the son of the moment and the tongue of the speaker expressed and at the same time it was a pioneer in the exploitation of these technologies in their artistic form or industrial mechanization and make them an essential means in his artistic production, through new visions different from what already exists
Thus, this world turns into a place of maker and producer of future variables that open the way for new creations, but what has also happened in the world of theater in our time is the directors' quest to train the actor to create a contemporary artistic environment that adopts the language of silence, sign and physical movement and make it a universal language, hence the title of the research (methods of mixing between scenographic elements and silent performance techniques), where the researcher dealt with itThe research is the goal of the research, which was to reveal the methods of mixing between scenography techniques and silent performance techniques, and then its importance and limits with the definition of the terms contained in the title, and in the theoretical framework - the first section - the concept of silent performance and its stages of development were clarified and in the second section - scenographic techniques and their impact on silent performance. The researcher is the most important results he reached, perhaps the most important of which is (the terrace was displayed by (Data Show) from behind the screen and the music in this scene played an important role in the production of meaning because it is an overlapping sounds of the movement of those instruments and gears and one rhythm) and the research ended by mentioning the most important conclusions, and a list of margins and sources.
Keywords: mixing - scenography - silent performance

Research Summary :
Theater has become an intellectual incubator and an aesthetic fountain that draws inspiration from diverse cultures and transmits through it aesthetic discourses that contribute to the advancement of societies due to its wealth of knowledge icons and creative values that seek to remove ambiguity, confusion and misleading the recipient through acting performances in which the significance is fragmented to broadcast aesthetic images and cultural patterns adopted by the performer in international, Arab and Iraqi theater performances. .
The first chapter included a problem centered on the following question: (What are the implications of the performance of the enigmatic actor in the performances of the contemporary Iraqi theater). It is to identify (the indications of the performance of the enigmatic actor in the performances of the contemporary Iraqi theater), with defining the limits (temporal 2012-2022) and (the spatial: Iraq | Baghdad) and the limits of (subject: a study of the indications of the performance of the enigmatic actor in the performances of the contemporary Iraqi theater) as well as Procedural definitions of the concepts mentioned in the research title.
The theoretical framework consisted of two sections, the first: the vague concept and term, and the semantics of vagueness in contemporary aesthetic thought and the images of vague performance manifestations. The indicators of the theoretical framework were identified, and as for previous studies, the researcher did not find a previous study related to the title of the current research. The third chapter included the research procedures, and the research community was identified, which consisted of (ten) theatrical performances, and the research sample was determined according to the intentional method represented by the play (Yes Godot). Fourth, the results and conclusions were nominated, and finally the list of sources was determined.
Keywords:vagueness,vague,performance,semantics,ambiguity,confusion

Summary
he research tagged in observing and investigating the concept Reading the visual text in contemporary art - a critical study ) order to reveal the mechanisms and rules of the concepts of reading and the act of reading response and how to decode the visual text in the artistic field, and in particular the stations of contemporary art, the research included four chapters, the first chapter was devoted to clarifying the research problem, which resulted in the following questions: Is there an intellectual system to understand the reading of the pictorial surface of the contemporary artist? What can be observed from the transformations in the stations of contemporary art at the level of structural, formal and technical patterns? Does reading the visual text represent an identification between the text and the reader, or is there a similarity between reading, the text and the artist? As for the second chapter, it included two sections dealing with the first topic: reading the text and the reader’s response and the act of reading, while the second topic concerned me: contemporary art between reading and responding - reading in some art stations. The sample forms (4) four visual texts, and the treatments for the research management and analysis of the sample samples were reviewed, while the fourth chapter was concerned with the research results, discussion and conclusion

Abstract:
The research derives its theoretical material from the formal studies that deal with the narration from the linguistic point of view with a diagnostic dimension in which the actual sentence turns into (a gap) that can be embodied with imaginary visions of a symbolic nature. The research consisted of four main chapters. The first chapter dealt with the research problem, which centered around the following question: (What is the directive vision of the active forces and the possibilities of their embodiment in the Iraqi theatrical performance?), and the importance of the research that stemmed from the fact that it sheds light on an active model that contributed to the development of an analytical vision of the dramatic act derived from the narrative rules, which provided literary criticism to come under the coverage of the theatrical scene. The aim of the research, which was outlined in defining the directive vision of the active forces and their embodiment in the Iraqi theatrical show, and the limits of the research: temporal (2016 AD), spatial: (Iraq), and objectivity: studying the directive vision of the active forces and their embodiment in the Iraqi theatrical show, in addition to the procedural definitions of the terms contained in Research Title. As for the second chapter (Theoretical Framework), it included two sections. The first topic dealt with: (The concept of mechanistic active forces and work). As for the second topic, it dealt with: (the directive vision of the active forces in the global theatrical show), along with mentioning the indicators that resulted from the theoretical framework. The researcher devoted the third chapter to the research procedures, in which the research sample was identified and chosen in an intentional way to be a model in the analysis, and it was represented in the play (Ya Rab) written by (Ali Abdel Nabi Al- Zaidi), and directed by (Mustafa Al- Rikabi), and the researcher adopted the (descriptive) approach in Sample Analysis, as dictated by the nature of the current research. At the end of her research, the researcher mentioned the results that emerged from the sample analysis and the conclusions that were based on the results, then the list of sources.
Keywords: Actant , subject , acteur .

The revolution constitutes a process of transformation, whether negative or positive, as a result of scientific struggles and serious studies that overlapped with various scientific and human disciplines to form their revolution as an effective joint in the growth of their research. Between the previous and what it became after the revolution, and it was represented in art by producing artistic achievements that broke the barrier of stillness and stability and striving for change in the intellectual and technical aesthetic approach. The researcher sought to investigate it within four chapters representing the first chapter with the research problem according to the following question: What are the aesthetic and intellectual motives that paved the way for the revolution in the contemporary Iraqi formation? The importance of the research and the need for it, as well as the goal of the research to identify the revolutionary representations in contemporary Iraqi formation, within the limits of the research, with contemporary Iraqi plastic works of artists inside and outside Iraq with revolutionary topics within the period (1950 _ 2021 AD) and the second chapter came from the following topics: First: the cognitive concept of revolutionary And the second: the revolutionary discourse in the contemporary Iraqi formation. As for the third chapter, it included : The first: the cognitive concept of revolutionary, and the second: the revolutionary discourse in the contemporary Iraqi formation, and the third chapter included: the research community and its sample, the method used and the research tool, and then the analysis of the research sample, until the researcher concluded her study in the fourth chapter and included the results, which are:
1- The revolutionary in its presentation requires a realistic or expressive product, or in line with it at the level of artistic formation in figurative or symbolic, relatively pure abstraction may move away from it, this is in the aspect of political revolution.
2- The civilizational root was not in the achievements (research models) seeking to achieve an inherently creative aesthetic, but the aesthetic and intellectual civilized building was attended to stimulate society and remind it of the cultural value that established a great civilizational achievement in which there is a lot of revolutionary, in addition to its revolutionary in history bears the character of revolutionary In the aesthetic presentation.
Keywords: revolutionary, Iraqi formation, freedom, Faiq Hassan, Faisal Laibi

The current research focused on the study of (The uniqueness features in the work of the Korean potters Haijin Lee ), and it included four chapters, as follows :
The first chapter (the general framework of the research): it included the research problem that was raised through the following question :What are the feature of uniqueness available in the works Korean potters Haejin Lee ? The chapter also included the importance and objectives as well as the limits of the research and defining the most important terms contained therein.
The second chapter (theoretical framework of the research): It contained three topics, as follows :
The first topic: the concept of uniqueness (philosophically, psychologically, artistically). The second topic: the determinants of uniqueness in the plastic artwork. The third topic: Korean ceramics origin and development.
Then a review of previous studies and the results of the theoretical framework of indicators .
The third chapter (research procedures): such as the research methodology and procedures, and an explanation of the research community and sample models. And the tool through which the analysis of the sample models was carried out.
Chapter Four (Results and Conclusions): A number of results were reached, as follows:
1-The presence of the Potter's self-vision in reformulating the meaning of the symbols and presenting them as symbols of unique meanings in the formulation and referring to a meaning unique to the Potter's.
2-The method of overlapping and overlapping gave a unique feature in the form of the form, which is considered as a strange act outside the normal in the embodiment of form and meaning.
The most important conclusions are :
1-Uniqueness is a subjective condition that the artist makes himself, depending on his personal culture and the extent to which he possesses the faculty of creativity and innovation .
2- Conscious thinking outside the traditional frameworks leads the artist to create uniqueness in achievement .
Then the recommendations and proposals were mentioned.
Then the research was concluded with references, a list of sources, appendices, and a summary of the research in English.
Keywords: features, uniqueness

Abstract
The current research (the role of the title in designing the cover of children's magazines) consists of four chapters. The first chapter of the research included a definition of the research problem, which was summarized by answering the following question: What is the role of the title in designing the cover of children's magazines? What is its impact on enhancing the child's comprehension skill? The importance of research and the need for it. The aim of the research was determined as follows: Do you know the role of the title in designing the cover of children's magazines? In addition to the importance and the limits of the research, the researcher has identified the most important terms contained in the research. The second chapter included two sections: The first topic: the importance of the title in the cover of the magazine, the second topic: the psychological and educational dimension in children’s literature, the third topic: the covers of children’s magazines and their relationship perceiving the child, As for the third chapter, it contained the research procedures and included, the research community, sample selection and analysis, which amounted to (5) models. As for the fourth chapter, it contained the most important results, most notably: The design of the title in the cover of the magazine in the research sample is characterized by the diversity of the formal structures of the image produced and affecting the perception of the child, In accordance with the requirements of the signifier, and the intellectual value of the signified is achieved, by including the design structure of the magazine cover, and adopts a new structural formulation that contrasts with the contemporary design given. As well as the conclusions, recommendations and suggestions for research.
Keywords: Design - cover - children's magazines

Abstract :-
This research is concerned with studying (the repercussions of the concept of identity in contemporary Kurdish ceramics), and it falls into four chapters.
The research problem dealt with the repercussions of the concept of identity and its artistic, intellectual and psychological effects on contemporary Kurdish ceramics, by answering the following question:
What are the formal data for contemporary Kurdish ceramics? Were the repercussions of this reflection on the concept of privacy that contribute to strengthening the principle of Kurdish identity?
As for the importance of the research, it appeared by shedding light on the concept of identity, because of its impact on the hearts of artists, especially after the overlap of globalization and its foundations in all the facilities of human life, which affected intellectually and cognitively the methods and formal features of artworks, which contributed at the same time to the confusion of understanding about ID the features of identity, and its circumstances, in an understandable manner within the system of correct foundations that organize within thought, and make it a formal given that carries a distinctive specificity. In addition, the research is an important cognitive reference for students of ceramic art, through the cognitive establishment of the most important formal features that reveal the concept of identity, which allows scholars and researchers to understand the critical process of ceramic art within the objective limits of the research and according to the research objectives, which is to identify the formal characteristics of Kurdish ceramic and also identifying the latent intellectual contents, which contribute to strengthening the local identity within the movement of contemporary Kurdish formation.
The second chapter is based on the theoretical framework and is based on two sections. The first topic deals with identity - the concept and meaning, while the second section includes three axes. The first axis is based on the formal characteristics of the concept of identity in plastic arts, while the second axis emphasizes the repercussions of identity and its connection to the concept of local specificity it came to establish the concept of rooting identity in the Kurdish plastic art.
The third chapter dealt with the research procedures, in terms of society, including the availability of models that were monitored from specialized sources, and from contemporary potters and up to 30 works. One of its most important results was, 1- The influence of the potter’s upbringing and his environmental references, which are saturated with its images and influences, to be reflected in his role in his work, these potters the features and characteristics of the local identity, 2- The culture of the community, which shaped A privacy that gave him an integrated and unified whole, as this privacy worked to build the identity of the artist, and thus the identity of his artistic productions.
3- The expressive factor had a clear dimension, as one of the works is not devoid of an expression of political, environmental, religious, cultural or heritage positions, which the contemporary potter tries to express in his own style using his malleable material .
Keywords - repercussions, identity, ceramic.

Abstract
The current research dealt with the problem of kinetic illusion drivers in contemporary ceramic works. The research problem came from the following question: How is kinetic illusion achieved in contemporary world ceramics?
The objectives of the research (to know the kinetic illusion in contemporary world ceramics) by presenting a knowledge base about philosophical propositions that call for a mismatched vision between the objective and subjective aspects and highlighting the most important concepts that have the ability to refer the visual surface to the illusion of the existence of movement despite static. The research community (25 works) and its sample (3 models) were identified in a way that is compatible with the objective of the current research, so that the research reaches the most important results reached by the researcher, the most important of which are:
1- Kinetic illusion made time not a manifestation of matter in artistic works represented in contemporary ceramic forms, but rather an independent and intertwined conditional requirement, and stimulated the act of visual deception.
2- According to the kinesthetic illusion, time cannot be sensed in the macroscopic sense of the form, but rather we feel it only. Therefore, the ceramic figure remains sensible, being visible and invisible at the same time. Time remains sensual through the mind, according to the mechanism of kinesthetic illusion in its relationship to visual deception.
Keywords: (kinetic illusion, contemporary ceramics

Abstract
The present research sheds light on the most important products of the pioneer of the most important Calligraphers and Arabic Adornation , Naji Zain Aldeen Al-Mussarif, through out reading, analysis and exhibiting of of his own products, Photographer of Arabic Calligraphy (Al-Mussawer Al-Khat Al-Arabi). The research consists of Four chapters. The first chapter talks about the importance of this research, its problem and the need for such kind of researches. The problem can be summerized by this question, are the arts of Arabic Calligraphy which appeared on some Islamic scipts which were gattered, studied and analyzed to Show the style and the way which shows how it is written? The Second chapter Shows the thearotical side which consists two parts, The first part Shows his life and his career, and also Shows some analysis for his most important products which Show some scipts on Islamic Buildings, coins, some military weapons, some vases and some bronze tools, whereas the Second part shows some definitions of the Arabic Calligraphy and the most important patterns of (basmala) in other word, in the Name of God. The third chapter shows the analysis of the product and analysis of samples which are three samples. The fourth chapter consists some findings and recommendations and suggestions, it includes also some references and appendix and a list of the Calligraphers.
Key Words :The Arabic Calligraphy, Analysis, Islamic Adornation , scipts

The abstract
The current research deals with the study of the relationship between man and age) and the accompanying marginalization of the entire value and moral system, and this is what makes the relationship between man and age more severe and deviation from the familiar contexts in research and in all fields, which makes the idea of belonging to the general system of art history problematic or intersecting And the reflection of all this on the experiences and visions of postmodern Western plastic art in form, content, style and techniques.
The research community was accurately limited, so the researcher was forced to adopt what is available and documented from books, magazines, and Internet sites, including the sites of some artists on the World Wide Web. In view of the vast movements and trends of postmodern arts, it is difficult to limit society or frame it with a final number of artistic productions within the postmodern time period, in a way that covers the limits of research and achieves its objective.
The researcher adopted the descriptive analytical approach and chose three samples from the research community.
The most important results are:
1. The postmodern era represented the height of the problematic between man and the era, especially after the overthrow In the value system, including aesthetic values and total integration in the aesthetics of ugliness and distortion, as this art has become the most exciting and popular interest, especially the violation of the beauty and sanctity of the human body and has become subject to consumption and transient circulation, as well as the practice of ritual abuse aggressiveness and distortion.
2. The human/artist in the postmodern era was subjected to the power of the market due to the growing problematic The political, economic and ideologies supporting capitalism and exploitation, and the promise of man as a consumer number in the market diaries, in view of this the artist abandoned any realistic or abstract artistic approach sensory, or imaginary.
3. Art presented a vivid model for the cracking of the relationship between man and his age, as it represented a revolution, protest and popular artistic opposition against the authority and its systems, laws and procedures. This art presented new ways of performance, structural and formal treatments, and presentation methods, as well as for portable forms in semantic and symbolic dimensions to give a greater expanse of meaning.
Keywords (The problem - Man - Its repercussion).

Abstract
The research, by study and analysis, investigates the practices of totalitarian systems and their productivity of fictitious equations in the fine field. How was it represented in the fine text? Is totalitarianism multiple and changing systems or a fixed system? To determine the goal of the research by revealing: The foundations of totalitarianism 2 - Totalitarian practices in contemporary formation. Then comes the importance of the research, which was determined by the fact that it was an epistemological reading of the concept of totalitarianism as one of the strategies and techniques of power in controlling culture and art, which allows a broader understanding of art products. As for the limits of the research, they were objectively determined by studying the totalitarian regimes in contemporary art and temporally, the period from 1938 - 1961, spatially Germany, Italy, Russia and China. The second chapter included two sections, the first was determined by providing a reading in the concept of totalitarianism, while the second was totalitarian systems and the productivity of plastic discourse, then the third chapter represented the research procedures according to the method used, the research community, the research sample, the tool, the analysis of the sample of (3) models and finally the fourth chapter, which It included the results and conclusions, and the research reached to identify three techniques of totalitarianism, which are:

1. The manufacture of political icons as heroic figures, a practice that falls under the principle of publicity and promotion, but rather playing on ideas to create an ideal image of the party and its ideology, which contributes to enticement and gain the loyalty of the masses, which is what we find in all totalitarian regimes (Nazi - Fascist - Stalinist - Maoist).
2. Focusing on the self and creating a transcendent image of the ego as a kind of admiration for identity and self and openness to nationalism through reviving the past and cultural heritage, which is what Nazism and fascism did.
3. Activating class ideology as a tool to play on the instincts and desires of the masses. When totalitarian regimes align themselves with the working class and elevate it by creating a heroic image of the working individual, this image is nothing but a kind of utopia that is not devoid of shadowing the facts as it does not reflect reality but is a repetition and response to the practice ideology