Abstract
This research aims to study the use of nature as a symbol in Abbasid poetry through an analytical, rhetorical, and contextual study, using selected examples from the poetry of Al-Buhturi, Al-Sanubari, and Kashajim. The research is based on the hypothesis that nature in Abbasid poetry is not merely a descriptive background that beautifies the text, but rather an active semantic structure that performs aesthetic, cultural, and intellectual roles that reflect the poets’ visions and perceptions of life, time, beauty, power, and humanity. The study adopts a comparative textual analytical approach that combines rhetorical and stylistic approaches with cultural and social analysis, to reveal the multiple levels of meaning in the poetic image of nature within the texts.
For Al-Buhturi, the results of the analysis also showed that nature was used as a means to embody concepts of eternity and cosmic balance through images of light, water, and flowers. Al-Sunubari, on the other hand, made nature a manifestation of elegance and luxury, an extension of the luxurious court life. Kashjam treated nature as a realistic, material symbol in which description intertwines with living culture, employing its elements to depict change, joy, and the celebration of life. This contrast in vision among the poets reflects the multiplicity of aesthetic styles in the Abbasid era and reveals that the image of nature was a field for the interaction of aesthetic thought with civilizational reality. Abbasid poetry, as the research concludes, established a unique relationship between nature and humanity based on symbolic interaction between the environment and the self, as well as a balance between moral significance and physical beauty. It also demonstrated that rhetorical techniques such as personification, metaphor, rhythmic parallelism, and sensory blending played a pivotal role in constructing this complex image that blends the natural landscape with the human experience. Culturally, nature emerged in Abbasid poetry as a mirror of a sophisticated cultural consciousness, reflecting the transition from the desert to the urban center, and from individual experience to a collective sense that embodies the luxury of the era and the richness of its environment.
This research emphasizes the necessity of rereading Abbasid poetry from a new cultural and environmental perspective, linking the historical and environmental landscape with the poetic texts within which it originated. It also opens the way for interdisciplinary studies that combine cultural history, the textual environment, and literary criticism.