Abstract
hassan.majid@uobasrah.edu.iq
Abstract
This paper explores how The Love & Lies of Rukhsana Ali (2019), the young adult novel by Sabina Khan, represents honour as a retaliatory system of control in the context of a diasporic Bangladeshi-American family, rather than a positive moral virtue. It aims to fill an existing research gap in Muslim YA literature where visibility and Islamophobia often take centre stage over honour-based coercion and how it is narratively portrayed. The analysis focuses on how honour becomes a vehicle for revenge through family-led punishment; how home spaces, cross-border ties, and digital platforms collectively heighten surveillance; and how alternative forms of storytelling and fragile alliances offer limited forms of resistance. Using ideas from intersectional feminist sociology, postcolonial gender theory, and American Muslim cultural criticism, particularly those on honour-based abuse, coercive control, and violence continuum, this study conducts a qualitative close reading of The Love & Lies of Rukhsana Ali, grouping scenes into six types of control: reputational, bodily/domestic, mobility/documentary, marriage-market, pseudo-medical/ritual, and digital/public. It is revealed that honour operates like a retaliatory economy, converting shame into punishment and recasting care as a morally justified discipline. Coercion is found to depend on intertwined mechanisms that push the protagonist from private restriction into transnational and public vulnerability. The grandmother’s diary and the support of siblings and friends function as harm counter-archives and escape networks, revealing how far honour-based control reaches and where resistance begins to falter. Ultimately, the article argues that honour works as a transnational disciplinary system and that American Muslim YA fiction sheds critical light on the infrastructures that sustain modern-day honour-based coercion.
Abstract
This paper explores how The Love & Lies of Rukhsana Ali (2019), the young adult novel by Sabina Khan, represents honour as a retaliatory system of control in the context of a diasporic Bangladeshi-American family, rather than a positive moral virtue. It aims to fill an existing research gap in Muslim YA literature where visibility and Islamophobia often take centre stage over honour-based coercion and how it is narratively portrayed. The analysis focuses on how honour becomes a vehicle for revenge through family-led punishment; how home spaces, cross-border ties, and digital platforms collectively heighten surveillance; and how alternative forms of storytelling and fragile alliances offer limited forms of resistance. Using ideas from intersectional feminist sociology, postcolonial gender theory, and American Muslim cultural criticism, particularly those on honour-based abuse, coercive control, and violence continuum, this study conducts a qualitative close reading of The Love & Lies of Rukhsana Ali, grouping scenes into six types of control: reputational, bodily/domestic, mobility/documentary, marriage-market, pseudo-medical/ritual, and digital/public. It is revealed that honour operates like a retaliatory economy, converting shame into punishment and recasting care as a morally justified discipline. Coercion is found to depend on intertwined mechanisms that push the protagonist from private restriction into transnational and public vulnerability. The grandmother’s diary and the support of siblings and friends function as harm counter-archives and escape networks, revealing how far honour-based control reaches and where resistance begins to falter. Ultimately, the article argues that honour works as a transnational disciplinary system and that American Muslim YA fiction sheds critical light on the infrastructures that sustain modern-day honour-based coercion.
Keywords
Honour-based abuse; coercive control; revenge-as-governance; feminist theory; Sabina Khan.
Abstract
يتناول هذا البحث رواية حبّ رخسانة علي وأكاذيبها للكاتبة سابينا خان (٢٠١٩ (بوصفها نموذجًا سرديًّا يكشف تمثيلات الشرف كآلية انتقامية للضبط والسيطرة داخل أسرة بنغلادشية–أمريكية، لا كقيمةٍ أخلاقية إيجابية. ويسعى إلى سدّ فجوةٍ في دراسات أدب اليافعين المسلم، حيث تطغى موضوعات الظهور العلني والإسلاموفوبيا على تحليل الإكراه القائم على الشرف وتمظهراته السردية. تستند الدراسة إلى مقاربات النسوية التقاطعية، ونظرية الجندر ما بعد الاستعمار، والنقد الثقافي للمسلمين الأمريكيين، مركّزةً على ستة أنماط من السيطرة: السمعة، والجسد/البيت، والتنقّل/الوثائق، وسوق الزواج، وشبه الطبي/الطقوسي، والرقمي/العام. وتبيّن النتائج أنّ الشرف يعمل كـاقتصادٍ انتقامي يحوِّل العار إلى عقوبة ويعيد تأويل الرعاية كضبطٍ مُشرعن. كما تكشف أن آليات الإكراه متشابكة تدفع البطلة من قيود الخصوصية إلى هشاشة عابرة للحدود. وتؤدّي يوميات الجدة، إلى جانب دعم الإخوة والأصدقاء، دور الأرشيف المضاد وشبكات النجاة التي تكشف حدود المقاومة. ويخلص البحث إلى أنّ الشرف يعمل كنظامٍ تأديبي عابر للحدود، وأن أدب اليافعين المسلم في السياق الأمريكي يقدّم إضاءة نقدية على البُنى التي تُبقي الإكراه القائم على الشرف فاعلًا في صورته المعاصرة.
Keywords
الإساءة القائمة على الشرف؛ السيطرة القسرية؛ الانتقام كآلية للحوكمة؛ النظرية النسوية؛ سابينا خان.