Abstract
The poetic image is a meticulously woven construct, shaped by the poet’s skill and unique creativity. It serves as the external framework for the structure of poetry, encompassing the processes of depiction and verbal composition. A poetic image is akin to an artistic painting, brought to life through the interplay of imaginative and sensory meanings, supported by additional resources that enhance the aesthetic structure of the poetic text.
Human senses, with their active role, are among the most significant sources of artistic imagery, complemented by the tools of expression provided by imagination. By employing these senses, the poet expands the perceptions of the image, imparting depth and tangibility to the poetic text. This makes the senses a fundamental component in shaping poetic imagery.
Amid this extensive use of imagery, the poetry of Muwaffaq al-Din al-Mada’ini (d. 656 AH) stands out. He utilized sensory perceptions to infuse his poetry with both objective and aesthetic meanings, crafting images that evoke life, sound, and sensation in harmony with his poetic experience.
Human senses, with their active role, are among the most significant sources of artistic imagery, complemented by the tools of expression provided by imagination. By employing these senses, the poet expands the perceptions of the image, imparting depth and tangibility to the poetic text. This makes the senses a fundamental component in shaping poetic imagery.
Amid this extensive use of imagery, the poetry of Muwaffaq al-Din al-Mada’ini (d. 656 AH) stands out. He utilized sensory perceptions to infuse his poetry with both objective and aesthetic meanings, crafting images that evoke life, sound, and sensation in harmony with his poetic experience.
Keywords
Muwaffaq al-Din al-Mada’ini – Senses – Image – Visual – Meaning
Abstract
تعد الصورة نسج فني متقن تشترك في بنائه مهارة الشاعر وشاعريته المتميزة فهي الإطار الخارجي العام لشكل الشعر في عملية الكلام من تصوير وصوغ لفظي. فالصورة لوحة فنية تتضافر على أخراجها المدلولات الخيالية والحسية معا ورفدها بالمصادر التعزيزية لبناء جمالية النص الشعري. وتعد الحواس الانسانية بفاعليتها من اهم مصادر الصورة الفنية الى جانب ما يغذيها الخيال من أدوات تعبيرية، فقد اندفع الشاعر بتلك الحواس الى توسيع مدركات الصورة لأعطاء النص الشعري ذلك التجسيم والتشخيص، لتكون الحواس ركنا مهما في تشكيل الصورة الشعرية وفي خضم ذلك التوظيف الصوري الكثير، نقف على شعر موفق الدين المدائني المتوفى (656هـ) وقد جعل الحواس معولا لشعره في بيان الدلالة الموضوعية والجمالية معا ورسم صورا تبعث الحياة والصوت والحس بما ينسجم مع تجربته الشعرية.
Keywords
: موفق الدين المدائني –الحواس- الصورة - البصرية – الدلالة .